We met Mr. Chang when we were standing outside his house near the Forbidden City, admiring his squashes. He asked us some friendly questions – do you play music? (a bit) Speak French? (seule un petit peu) What’s the English name of these squashes? (bottle gourds) – and ended up inviting us inside. We’d finished our touristry for the day, we didn’t have any urgent reason to be anywhere else, and he seemed nice enough, so we took up his invitation.
Inside he had more squashes and other plants growing with the help of an impressive amount of natural light, along with a large number of dried bottle gourds, or calabashes, that he’d grown. He’d clearly moulded the space over the decades, with a surprisingly labyrinthine system of steep, narrow stairs, walkways and small rooms tucked away around a courtyard-like central living room.
He showed us some of his daughter’s artwork – she was off studying art – as well a painting of his own, a fairly accomplished landscape with birds in the classical style. Then he told us about the ballet school he was setting up in Beijing, the first of its kind, with French ties – he was a dancer along with everything else, and he’d lived in France for many years. He spoke better French than English, lapsing into it when he couldn’t remember the word for something, so our conversation was in an odd mix of English, French and occasional Mandarin. He had a day job working for a big company.
After we’d been there for a while I reached to get a card to write my contact details on, only to realise I didn’t have my wallet. I ran back to where we’d come from in case it had somehow fallen out of my pocket, but eventually realised it must have been taken by a pickpocket among the crowds thronging out from the Forbidden City. I came back to Chang’s to cancel my credit cards; we swapped emails, and he gave us ten calabash seeds to take home.by