The A Word

The A Word is a beautifully shot, dramatic and deeply problematic BBC series about the family of an autistic child. That description might give you a clue what makes it so problematic: despite the autism theme, it’s really not about the autistic kid, Joe, at all. Joe himself is played quite convincingly by 5-year-old Max Vento, but the character is extremely thinly drawn. He’s autistic. He likes music, and music facts. That’s all you need to know; it’s all the viewer ever gets to know, really.

So the drama is all about the effects of Joe’s autism on his family, including two uncles and a grandfather. More specifically, it’s almost all about the arguments that stem from or in some way relate to the realisation that the kid is autistic, and that’s a lot of arguments. They also manage to find quite a few other things to argue about, though. It’s been suggest that the ‘a word’ of the title is not ‘autism’, as we might first assume, but ‘arguing’.

The parents are presented as deeply ignorant of autism in the beginning, but very willing to learn. That could have been a nice setup for a series designed partly to help the viewer learn about autism, but it wasn’t. Though the parents do have some educational chats with specialists and each other, they’re pretty light on detail, and they include some fairly questionable stuff.

So the series isn’t a helpful educational resource on autism in any straightforward sense. Where it might have some value is as an extended game of Bad Autism Parenting Bingo: they do practically everything that parents of autistic children (and adults) should never do. They neglect their other child; they talk about Joe in front of him, as if he’s not there; they argue, often about Joe, where either or both children can hear them; they attempt to bully professionals into providing the help they think they need; they avoid disclosing Joe’s autism to his school, although it must already be perfectly obvious he’s not like his classmates; they force him to take part in activities he clearly has no interest in; and they jump on any sign of ‘normality’ and refuse to let it go, because they remain convinced throughout that autism is something laid over the top of Joe’s inner self, rather than accepting it as a fundamental part of who he is.

Unfortunately there is no sign that the writer of the show, Peter Bowker, realises this is what they are doing. It seems more like he wanted the parents to seem flawed, but loving and well-intentioned, which is fine – but I worry that many viewers will watch without realising the magnitude of the mistakes they are constantly making.

Having said all this, there quite a bit about the series that I appreciated. It’s set among the rugged hills of the Lake District, and filmed to make the most of it. Doubtless the Cumbria Tourism board were delighted. The acting is mostly strong, with Christopher Eccleston excellent as ever, as Joe’s grandfather – who I read as being quite clearly aspie himself, something I was genuinely surprised the series never explored. Some of the characters were just about likeable enough for me to care about the drama they kept inflicting on each other.

Unfortunately the shallow treatment of autism really lets The A Word down. Right up to the last episode I kept hoping that at least one of the parents would come to accept or at least understand that their son just is autistic – that’s who he is, it’s not something he has, and certainly not something he suffers from. If the parents’ total failure to grasp this wasn’t bad enough, it’s also suggested that he’ll always be heavily stigmatised, and there’s no point hoping for acceptance in our society. In a world populated by people like this show’s writer, perhaps such pessimism is justified.

However, the BBC has commissioned a second series, and maybe it will partially redeem itself yet. Certainly the National Autistic Society keenly collected feedback on series 1, and Bowker is on record as saying that series 2 will be “both about being the family with a child that is different in a small community as well as being a part of the wider ‘autism community’ and all that this entails”. The fact he said ‘autism community’ rather than ‘autistic community’ rings some alarm bells, but if the series does acknowledge that there is such a thing as an autistic community, it will be breaking new ground. While more and more autistic characters have been making their way into TV and film, they are almost always shown as isolated; the fact that groups of autistic people can and do get together to share experiences and socialise is very rarely mentioned.

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Common Podcasting Mistakes

Most of the art of making a good podcast is also the art of making good radio, and I’m not here to teach you that (but please use a decent microphone, edit it at least a bit). However, there are a few important things that are specific to podcasts. Some of these may seem obvious,  but they’re all things that a lot of people get wrong.

  1. Compression
    There is almost no benefit in giving a spoken word mp3 at a higher bitrate than half a megabyte per minute*, and there are plenty of disadvantages. Putting out a podcast twice as big as that wastes your bandwidth and ours, and many people thinking about downloading it will be pushed for space on their devices. Until I upgraded my phone’s storage I hardly ever downloaded podcasts bigger than 50MB for this reason.
  2. Episode titles
    If at all possible, give every episode an informative and concise title. The date it went out is not informative. You don’t need to include the name of the podcast in the title of every episode, and you definitely don’t need to include the word ‘podcast’; bear in mind that podcatching software often truncates titles if they’re too long, so if you want to tell us which episode number it is, maybe just put ‘#73’ instead of ‘Episode number 73’.
  3. Podcast titles
    Your potential listeners are likely to be looking up your podcast in an alphabetical list, if they ever actively feel like listening to it. So only include the word ‘The’ or the name of your broadcaster or production company in the title if you’re really convinced we’ll expect it to be there. If you call it something completely different from what we think of it as being called, we will be confused.
  4. Episode descriptions
    Try to come up with a couple of sentences describing every episode. It doesn’t have to say much, but if it just says ‘Analysis of news and current affairs’, your audience will be sad. If your description is just a transcript of the entire episode, it’s really great that you’ve got a transcript up, but I don’t think that’s the place for it.
  5. Music
    This one’s arguable, but be aware that – much more than for radio – quite a lot of your audience will be trying to get to sleep, if not during the episode then shortly afterwards. If you’ve ever been jolted back from the very edge of sleep by sudden jangling noisy music, you’ll understand why I wish more podcasters would either ditch their end-of-show jingles, or at least swap them for something short and gentle.

I hope these tips are helpful. My list is doubtless coloured by the fact I use Podkicker to listen to podcasts, and other software will make different things seem like problems. I’d be curious to hear about other people’s experiences, especially if you think some of these things are not mistakes at all.

I comment on most of the radio and podcasts I listen to: @OolongListens

* Audacity exports mp3s this big when set to 64kbps, although I can’t make sense of that mathematically.

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The bean family, also known as the legumes, leguminoseae or papilionaceae. One of my favourite plant families. Their flowers are beautiful, very distinctive and pleasingly perky; and I like seed pods that really look like pods. There’s also something charming about the unfolding, trefoil leaves at the end of every branch, and I’m a fan of plants with tendrils.

White clover flower (or flowers, depending on where you draw the line)

On top of all that, their specially adapted root nodules house nitrogen-fixing bacteria, producing nitrogenase to draw unreactive nitrogen from the atmosphere and transform it into compounds that other plants can use. Before the Haber-Bosch process was invented we had to rely heavily on legumes and lightning to get our nitrogen fix. This is why crop rotation usually includes a phase where fields are planted with legumes.

As well as peas, the family includes all kinds of beans, lentils and peanuts. Making protein requires nitrogen, so most protein-rich plant-based foods are either legumes or the seeds of larger plants, like nut trees. Unfortunately, the seeds of legumes are also rich in oligosaccharides, complex carbohydrates that humans cannot digest, but which our gut bacteria can – producing methane and other gases. Besides the food crops, legumes also include broom, gorse, clover, vetch, laburnum and lupins.

Continue reading Fabaceae

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Asianish Kale, Carrot and Broad Bean Feast

I made a large vegetable dish last night which turned out particularly well, and I’ve had a request for the recipe from one of the people who ate it. I didn’t measure anything, I’m afraid, so all the quantities are going to be pretty vague. I was feeding five, but probably made enough for seven or eight (we had it for lunch today, as well).

I really should have taken a photo, but I was too busy eating.


  • Most of a bulb of garlic, chopped quite finely
  • About an inch and a half of ginger, chopped at least as finely
  • A healthy shake of turmeric
  • 6-8 medium-large carrots, quartered and sliced
  • Big bag of kale, in small strips
  • Large bowl of fresh broad beans, removed from their pods
  • Two red peppers, sliced
  • A courgette, quartered and sliced
  • A little Chinese vinegar
  • Tablespoon of miso
  • Teaspoon of mustard (Dijon)
  • Enough sunflower oil
  • Rice, cooked in the normal way


  1. Prepare all the vegetables.
  2. Heat oil to a medium-high temperature.
  3. Add garlic to a large frying pan or sauce pan, stir until just starting to turn brown (a minute or two).
  4. Add carrots and ginger along with some turmeric, and stir enough to keep it all from sticking.
  5. Steam, parboil or microwave broad beans (I microwaved for around three minutes with a little water, and discarded the water – I think this removed most of the bitterness from their skins).
  6. Add broad beans, courgette and red pepper to pan. Turn down to medium heat. Add a couple of splashes of vinegar.
  7. Mix the miso and mustard with a little warm water and a little vinegar to dissolve.
  8. Add kale to the pot, and stir thoroughly. Like other brassicas, kale only needs a few minutes to cook, and starts losing its flavour and gaining a sulfurous aroma after that.
  9. Turn off the heat and toss the miso mixture over the vegetables.
  10. Serve with rice.
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Royal Society Summer Exhibition

I made it to the last day of this year’s Royal Society Summer Exhibition on Sunday: a fascinating collection of scientific exhibits and scientists happy to talk about them. It’s a pleasing format, especially if you’re interested in hearing scientists talk about their work – which is one of my favourite things.

I wanted to share some notes on what I learned.

Killer Fungus

Killer FungusMedical Mycology & Fungal Immunology

Apparently around a million people are killed by fungal infections every year – more than malaria. Most victims are those with compromised immune systems, including those with AIDS and transplant patients who have to take immunosuppressant drugs to prevent their bodies rejecting their new organs; one of the intriguing thing about fungal diseases is that many of them are caused by fungal organisms which live on us all the time, but hardly ever cause problems. However, the number of otherwise healthy people who are badly affected by fungal infections seems to be growing. Fungal diseases and the human immune system’s ways of responding to them are poorly understood, so far, compared with our understanding of bacterial or even viral diseases.

I have a long-standing interest in mycology in general, but like most people, I’d never given all that much thought to fungal diseases in particular.

4D Science

X-Ray Tomography

Tomography is the process of turning a series of 2D slices into a 3D image. The people from the Manchester-Harwell X-Ray Imaging Facility are pretty excited about getting to use an X-ray ’10 billion times brighter than the sun’ to extend this into the fourth dimension, showing how things like crystal structures change over time. That lets them track exactly what happens as batteries charge and discharge, or when ice cream melts and refreezes, and they had some nice little 3D-printed models to demonstrate it, as well as a Lego light-tomography machine that works by casting shadows from a model on a tiny turntable.

Antimatter Matters

Trapping Antihydrogen at CERN

Antimatter is almost exactly like normal matter except that it has the opposite electrical charge, or possibly it travels backwards in time (the two interpretations look surprisingly similar in practice). When a particle and its antiparticle collide, they annihilate, releasing a burst of energy; and when new matter is created out of a burst of energy, it comes along with antimatter, allowing the universe’s total electrical charge to be conserved.

It is puzzling that the universe as we know it consists almost entirely of matter, when matter and antimatter are usually created in exactly the same quantities. It looks as if this didn’t hold in the early universe, or somehow the antimatter was destroyed while leaving normal matter behind, which suggests that the universe is troublingly asymmetrical, and nobody knows why. This is a long-standing problem in physics, known as ‘CP violation’, and not very much progress has been made in solving it since I was studying the subject seventeen years ago.

There is currently a fiendishly difficult experiment ongoing at CERN, in which scientists are making molecules of antihydrogen by colliding antiprotons with positrons (antielectrons), and trapping them in order to study their behaviour. The experiment is so difficult because antihydrogen atoms are electrically neutral, so you can’t contain them in an electrical field; you need to use enormously powerful magnets to control them, and even then, they need to be cooled to within half a degree of absolute zero or they’ll escape.  If antihydrogen atoms turn out to behave any differently from hydrogen atoms in terms of the way they absorb and emit radiation, that will give us some valuable hints about CP violation.

Silk Acoustics

The Spider Silk Violin

One of the fun things about the 21st century is that new materials are being created all the time, with interesting properties and applications, including biomaterials incorporating things like spider silk. Luca Alessandrini is exploring the acoustic properties of some of these materials as part of his interdisciplinary research, and has created violins out of some of these novel materials.

The exhibition was a little on the crowded side, so I didn’t get to see nearly everything. Some of the things I’d have loved to get a chance to spend more time on include computational cosmology, quantum secrets of photosynthesis, morphogenesis and surgical robots. At least I have the internet…

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A Coup without a Clue

Jeremy Corbyn (photo CC by Plashing Vole
Jeremy Corbyn speaks (photo CC by Plashing Vole)

Here’s the thing about Corbyn: as far as I can tell, his analysis of what’s gone so wrong with British politics, and specifically the Labour Party, is absolutely spot on. So are his prescriptions for how to fix it. None of the attacks he’s faced have addressed these. None of his attackers have ever put forward anything approaching an alternative vision, or even a serious critique of Corbyn’s analysis or policy programme. Whether this implies a total acceptance of the status quo, or simply a failure of imagination, I’m not sure.

I’d be interested in reading such a critique, or about a significantly different, plausible left-wing policy programme. Maybe he’s missed something, you know? Maybe I’ve missed something too.

I’ve seen some criticisms from Greens, of course – Corbyn’s default assumptions tend a little bit towards the statist, although McDonnell’s actual economic policies push strongly towards decentralisation; maybe he slightly understates the importance of the environment; that kind of thing. But I’ve seen very little from Labour that really goes beyond ‘BOO, UNELECTABLE’.

That’s just not good enough. Millions of people in the UK (the DK, I should say) are impoverished, disempowered, alienated from the political and economic systems, and hopeless about them. The vote to leave the EU is widely and, I think, rightly, seen as a symptom of this.

That makes the right wing of the Labour Party far more culpable for the way that vote went than Corbyn’s supposedly lacklustre campaigning. They’ve let the working classes down for decades by refusing to foster hope for anything better than what we’ve got, or to rebuild institutions that would allow us greater control of our own lives.

This lecture from a few weeks ago (available as a podcast and a transcript) is the clearest expression I’ve encountered of exactly where Corbyn’s coming from. Given the time and space, he is capable of expressing himself very compellingly. I’d be interested if anyone could articulate where they think he’s going wrong – in terms of ideas, rather than just delivery.

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The House of Calabash


An impressive range of squashes.
A remarkable range of squashes

We met Mr. Chang when we were standing outside his house near the Forbidden City, admiring his squashes. He asked us some friendly questions – do you play music? (a bit) Speak French? (seule un petit peu) What’s the English name of these squashes? (bottle gourds) – and ended up inviting us inside. We’d finished our touristry for the day, we didn’t have any urgent reason to be anywhere else, and he seemed nice enough, so we took up his invitation.

Inside he had more squashes and other plants growing with the help of an impressive amount of natural light, along with a large number of dried bottle gourds, or calabashes, that he’d grown. He’d clearly moulded the space over the decades, with a surprisingly labyrinthine system of steep, narrow stairs, walkways and small rooms tucked away around a courtyard-like central living room.

Narrow, twisty stairways alive with plants.
Narrow, twisty stairways alive with plants

He showed us some of his daughter’s artwork – she was off studying art – as well a painting of his own, a fairly accomplished landscape with birds in the classical style. Then he told us about the ballet school he was setting up in Beijing, the first of its kind, with French ties – he was a dancer along with everything else, and he’d lived in France for many years. He spoke better French than English, lapsing into it when he couldn’t remember the word for something, so our conversation was in an odd mix of English, French and occasional Mandarin. He had a day job working for a big company.

A line of bottle squashes
A line of bottle squashes

After we’d been there for a while I reached to get a card to write my contact details on, only to realise I didn’t have my wallet. I ran back to where we’d come from in case it had somehow fallen out of my pocket, but eventually realised it must have been taken by a pickpocket among the crowds thronging out from the Forbidden City. I came back to Chang’s to cancel my credit cards; we swapped emails, and he gave us ten calabash seeds to take home.

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Solar Eclipse 2015

3-1 crop of sliverOn Friday the 20th of March 2015, the moon’s shadow passed over a stretch of the northern half of planet Earth from Greenland and north Africa to Mongolia. I was in its penumbra, where it didn’t quite block all of the light from the sun. Its umbra, where it eclipsed the sun entirely, passed a few hundred miles to the north, bringing a couple of minutes of day-time night to a long strip of open sea, and the northern archipelagoes of Svalbard and the Faroe Islands.

Colander shadowMuch of Britain was covered by such thick cloud that it was impossible to really see what was going on, but we had perfect eclipse weather in Edinburgh – patchy clouds and high winds, so that there were times when the cloud cover was thick enough to look directly at the sun (though good health & safety practice recommends against it), and other times when there was enough direct sunlight to get really clear crescent shapes where there were breaks in shadows. We tried making a pinhole in cardboard, but got better results by just holding up a colander. You need to hold it far enough away that you’re viewing mostly penumbra; the effect is the same one exploited by pinhole photography.

Iridescent cloudsWe were close enough to the zone of totality that only a tiny sliver of sun remained at the maximum point of the eclipse, around 9:30 in the morning, making it about as dark as twilight – ideal for appreciating another thing that made the weather perfect. For a few minutes we had just the right kind of clouds to produce iridescent effects – thin clouds with evenly sized droplets, allowing diffraction patterns to be strongly visible. Iridescent clouds and coronas actually occur very often, but  in the daytime they’re usually too bright to be seen, while at night it’s too dark for us to fully appreciate their colours.

Projecting the eclipseAnother technique for looking at the sun indirectly is to use lenses to project an image onto a flat white surface. We tried using a macro lens-extender I normally use to take extreme macros. It projected a pleasingly clear image of the sky and its clouds, but the image of the sun was too small to be much use. We should really have used more than one lens – one to focus, one to magnify. A friend in London, also a science teacher, took the opportunity to make a projecting telescope. He reports: ‘Shame it was cloudy but under a hood you could get a clear image of buildings miles away. Kids loved it, the hood added mystery.’

Projected Eclipse by DeeAnother teacher at my school had a proper heavy-duty astronomical telescope set up to project an image of the sun about 10cm across, and 80 or so solar viewers with special film that one of the younger classes had fashioned into flimsy but effective glasses.

Scaffolding and Crescent SunThere are a few more of the pictures I took in our garden in this album. If you missed this one, the next total eclipse visible in Europe will be on the 12th of August, 2026, in northern Spain.

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Shanghai is a long way south of Beijing – about 750 miles, the distance from Dundee to Paris, which still only gets you half-way down China’s coast. It’s even hotter than Beijing in the summer, and it’s even bigger, too – in fact it’s now considered the biggest city in the world, depending on how you count it. So we travelled south from the capital, already vast and overheated, with some trepidation.

IMGP2227_02Our train pulled in at the tail end of a thunderstorm, which was a good start – the air was cleaner than any we’d tasted in weeks, and cooler. Beijing’s air pollution is uniquely terrible, largely thanks to industry in the surrounding countryside; despite its even bigger population and comparably congested streets, Shanghai’s air never got so bad. Being wetter, it is also better able to sustain greenery, without teams of people regularly watering every roadside verge and replacing all the tufts of grass in neat lines at least once a year, so many more of the streets are lined with trees to provide shelter from the sun.

Crow and OstrichOne of the first things we did on arriving was visit a sculpture park with many large, inventive and varied sculptures and a remarkable number of outdoors-living but evidently well-fed cats.IMGP2275_01 Bowls for them were scattered throughout the park, and we passed more than one person in the process of feeding them. Shanghai turns out to be a pretty cat-rich city.

IMGP2259_01Some shopsAnother thing the city is well endowed with is tiny, oddly specific shops, whole neighbourhoods crammed full of them: plumbing pipe shops, one selling only fans and fan accessories, one selling a wide range of fruit and veg – but only ones which are green, white or both.

FishingWe happened across a bridge where people were fishing by reaching down from above with nets on enormously long poles. I found it hard to believe they would catch anything at first, but with the help of a small crowd of people who shouted and pointed when they spotted something coming, they soon netted several turtles and a fish or two.


IMGP2341It’s the giant commercial buildings that everyone notices, of course. Shanghai has the biggest, shiniest business district I’ve ever seen, Pudong – endless rows of towering skyscrapers clad in coloured glass, and frequently topped by something round with a spike sticking out of it. The biggest tourist attractions are the Oriental Pearl Tower, a particularly tall building with a notably long spike at the top and two big round bits; and the Bund, a well-maintained waterfront area that seems to exist mainly to offer a view of the big glass buildings across the river, and their giant animated ads and light shows.

IMGP2475I recently listened to a fascinating episode of the Sinica podcast on ‘Shanghai and the Future Now‘, which filled me in on some of the background to the city centre’s aesthetic, which is so determinedly modern that it verges on retro-futurism. Most of that has come about since the 1990s, and the city is still very visibly under construction.

View from the flat
Just on the right of that square down there was our local cafe, a Japanese bakery

We stayed on the edge of the French Quarter, which still has a lot of old colonial buildings, with some pretty nice cafes, in a skyscraper with quite nice views, mostly of other skyscrapers.

In the evening we met Sonya’s friend Oli at a pretty good vegan restaurant before going to KTV, where I experienced a karaoke booth for the first time. They’re a huge thing there, rivalling bars for popularity. I sang two or three songs; most of the songs were in Chinese, half of our party being native speakers. I enjoyed the singing, and seeing the characters while they were sung, but it was a fairly disorienting experience overall.

Stick InsectOn our second day we went to the Insect Museum. It has a lot of wonderful insects with rather scant information accompanying them, mostly about their popularity as pets. Downstairs they have turtles in too-small boxes, sad snakes and a workshop where kids get to stick insect specimens on cards, with fake flowers, and put them in frames.

We visited a couple more vegan restaurants, the best of which turned out to be three floors up in an electronics mega-mall in Pudong, ‘If Vegan‘. We had truly excellent smoothies and Vietnamese-influenced food there, and marvelled at the audacity of the couple who sat down at the next table with a bag of barbecued meat to go with the few vegan dishes they ordered, and munched their way through their chicken while one of the waitresses valiantly tried to convince them this was unacceptable.

Obligatory tourist shot at the Pearl Tower (we didn't go in)
Obligatory tourist shot at the Pearl Tower (we didn’t go in though)

We stuck around in Shanghai for a few days – visited the mostly quite good science & technology museum and some the main tourist traps, got lost trying to find a way over the river, mostly just explored. After that we took the opportunity to go somewhere with fewer people and more interesting tea, heading a hundred miles southwest, to Hangzhou.

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The Greens and the Left

tippingpointahead-sign-readyThis is a guest post from my brother Leo Murray, creator of the climate change animation Wake Up, Freak Out – then Get a Grip and various others. We’re in broad agreement about most things.

Interesting times! Today, Green Party membership has overtaken both UKIP and the Lib Dems (editor’s note: this was first written on the 16th of January; four days later the total membership figure for UK Green parties is now over 53,000 and rising):

Greens:    44,713
UKIP:        41,943
Lib Dems: 44,526

You may well have noticed David Cameron’s recently announced cynical position on the TV debates, which is obviously about ensuring that if he has to contend with UKIP then Labour should have to contend with Greens.

There are some very interesting implications from all of this. The Tories have recognised the opportunity the rise of UKIP represents for their own agenda, and leveraged it to shift the middle ground of political discourse in the UK over to the right.

Meanwhile the Labour party, having now only really a barely recognisable semblance of left wing politics or representing labour (= workers) following their total acquiescence to neoliberal economic doctrine under Tony Blair, have had the opposite reaction to the rise in popularity of the Greens – they are shitting themselves, and acutely aware that the Green Party are basically embarrassing them on a daily basis by being proper socialists, and showing up Labour as the rootless flunkies of neoliberal capital interests that they have become.

Unlike the Tories, whose core agenda of dismantling the welfare state, advancing corporate power and protecting capital and elite interests remains unchanged, and have hence been able to use UKIP to help advance this agenda, Labour (at least, the Labour high command, notwithstanding questions about Miliband himself) no longer have any agenda at the core to advance.

Consequently, Labour have entirely missed the opportunity to use Green support (including in Parliament itself via Caroline Lucas) to move the middle ground of political debate to the left. I don’t think they ever saw it as an opportunity! Instead of welcoming a Green voice in the Commons as an ally in the same broad agenda, Labour have chosen to throw everything they have at un-seating Caroline Lucas from Brighton – it’s one of their top target seats! Not a Tory seat, not a Lib Dem seat, but the only serving MP to the left of Labour. They’ve also appointed Sadiq Khan to mount a fightback against the Green vote, and this week got Miliband to sign a letter to broadcasters – an identical letter to the one written by Nigel Farage – saying the TV debates should go ahead with or without Cameron, with no mention of the Green Party.

BUT because of the way politics works here, Labour do recognise the threat the Greens pose to their vote share, and it is already forcing them to make concessions to scramble to hold onto the left wing voter base in the UK.

It is also the case that the BBC and others’ position on the TV debates is starting to look increasingly perverse and untenable now that the Greens actually have more party members than either UKIP or LibDems, both of whom feature heavily in this stuff.
There are some vital tactical considerations for everyone involved in the struggle for social and environmental justice in the UK at this critical juncture. Whether or not you regard the Green Party as an effective vehicle for change here in more general terms (the jury is out – perfectly legitimate to think not!), if there was ever a moment to actually sign up to join the Green Party, it is right now. Even for those of us who are wholly committed to anarchist principles and ideals, there are extremely good tactical reasons for believing that simply adding your name to the Green Party membership at this particular moment in time will help undermine our enemies and take us closer to the kind of world we are working towards creating. And quite apart from all of the party and Westminster political implications of all this, there is a brilliant opportunity here to change popular perceptions of the political makeup of British society.

Leo’s conclusion is that as many people as possible on the British left should be joining the Greens (or Scottish Greens). I would also add to that if you disagree with their characterisation of the Green Party of England and Wales and the Scottish Greens as ‘minor parties’, it would be worth responding to the OfCom consultation on their official guidelines and the BBC’s draft guidelines on electoral coverage. You might also like to contact other media companies directly to protest the exclusion of Greens and other relatively radical voices from debates and coverage.

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