Since I planned to travel all over Spain and Portugal carrying this thing, I figured I’d better make something more portable than the beautiful fire-engine-red box that Tom Hardiment made me for Kenneth Mark I, which was originally a solid hardwood drawer. I took the opportunity to give it a completely different aesthetic.

I was always torn between two looks for controls for my animations – either they should be hyper-futuristic, like a starship control panel, or stained wood and brass like the machines and instruments of the Victorian era. I have always had a thing for antique scientific equipment, so I can understand why steampunk has become such a big thing. I decided to go with wood and brass.

I stripped out the plywood with the sliders and buttons attached, cut it down to size, sanded it, stained it and varnished it, and I picked up some brass knobs  and edging. Then I travelled with it to the Basque Country, where I was teaching English and looking after kids on a summer camp for a couple of weeks.  One of my colleagues there, Gareth Fox, helped me put it all together with some support struts; I replaced the plastic slider knobs with the sort you might otherwise use to open small doors. Then I went travelling again, right across to the southwest of Spain and then back up through Portugal.

Unfortunately somewhere on that largely unplanned journey (it’s a long story) I  misplaced the Arduino board that provides the interface between the sliders and a computer’s USB port. It’s not always easy to find an Arduino in a small city in a foreign country, and with no local knowledge at my command I googled ‘Arduino Coimbra’ and reached out for advice to the one person I found listed on the Arduino site, Micael Couceiro of RoboCorp and ISEC.  He suggested that if I didn’t have time to order online and wait for a delivery, I should try a shop on the outskirts of town, so I went there at lunch the next afternoon and sat around for about two hours waiting for them to open, only to find they were all out.

Eventually he very kindly agreed to lend me a board from his department, so I went over there the next day and in the end he didn’t just lend me a board but he and his colleagues offered an amazing amount of support and practical help mounting it properly and putting finishing touches to the box.

I finally got to exhibit Kenneth Mark II properly on the very last day of the conference – a little late, but not too late for a whole lot of people to play with it and give very positive feedback!

I figured that what’s really wanted is a bank of sliders and buttons to play with, each controlling a parameter. That way people can walk up to the controls as if they were approaching the bridge of a starship, and just twiddle them however they feel.

Now, with the help of the Dorkbot Alba team, I finally have the controls I’ve long dreamed of, in the shape of a box with six sliders, five buttons and two glowing switches. It is a thing of beauty.

The obvious next step once you have a good interface for a set of generative animations is to start putting them in public places for people to experiment with, I think.

The first such place was the Forest Hall in Edinburgh, at a night called Dubversion, along with a collection of electrical strangeness from Dorkbot including the ‘Waldflöte‘ MIDI-rigged pipe organ, a Jacob’s Ladder and the amazing Quadracopter – as well as some excellent music.

I’m seeing this as an installation at a science museum, in the classroom or an art gallery. There’s lots more still to do with it.

I decided to make sure the sliders control much the same things in different animations – though they each look very different, they are all built out of trigonometric functions, so we can think of them as the product of waves. The most basic properties of a wave are its amplitude (loudness, if we’re talking about sound); its frequency (the pitch of a sound) and the speed at which it travels. Though they do very different things with them, each of the animations I’ve rigged up with this can be seen in terms of the two sets of interacting waves, so we have a pair of sliders controlling their amplitudes, a pair for frequency and a pair for wave speed.

As I’ve written elsewhere, waves are absolutely fundamental to an enormous range of physical processes, as well as being great fun to animate. The universe is pretty much made out of waves, so wave speed, frequency and amplitude are three of the most basic and far-reaching concepts in physics.

Applets adapted to work with the control panel:

• Shimmia (with added webcam input)
• Zoobie
• Rosaly
• Yinyo
• (also Trochor, finally re-done in Processing – more on that later – and Dragoria, but that doesn’t work with compatible controls…)

Credits:

• Tom Hardiment built the slider-box.
• Martin Ling and Al Bennett helped out with the wiring and setting up the Arduino unit.